The work comes from the idea of a threshold territory between approximation and distance, between presence and absence. The transparency of the fabric allows the viewer to see the back part of the stitching at the same time as the front, as well as the space around the work. These aspects aim to bring the idea of “in-betweeness” in which the interior and exterior are both present. The portraits are looking at opposite sides, but once one walks around the installation, the images start connecting to one another. It becomes a point of encounter, even if momentary.